The ears, though important, are not the only tool needed to evaluate a recording. Any analog equalizer, for example, applies a small phase shift to the sound.Ī mastering engineer’s hearing needs to be very acute and well developed so he or she can hear a sound and know its frequency, or hear a sound and know when and how compression is working. In the most general sense, analog processing has certain nonlinear aspects (noise, phase distortions, chaotic unpredictable behavior) that a purist might consider wrong but in some cases translate to a musical sound. So what is this character of analog? There have been volumes written on this topic, and we are all still working to refine our understanding of it. Using very high precision, Ozone’s analog modeling translates into a great analog-sounding result with all the benefits of the digital world: repeatability, flexible routing, automation of controls, portability, no limits due to analog circuit designs, and freedom from servicing hardware components (take that, Mr. However, Ozone provides the option to recreate the analog sonic behavior of dynamics processing, equalization, harmonic excitation, and limiting. Given that the analog world is an unpredictable place, it’s nearly impossible to use digital ones and zeros to precisely model all aspects of analog equipment. Not to mention improvements to Tonal Balance Control, Imager, NKS integration and much more! Analog Modeling
Learn how Ozone 9 can bring balance to your music with new never-before-seen processing for low end, real-time instrument separation, and lightning-fast workflows powered by machine learning.
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